Vishvarupa (Sanskrit for "having all shapes, universal form") is a term used within Hinduism to refer to:
Brahmarshi Vishvamitra (Sanskrit "all-friend") is one of the most venerated rishis or sages of ancient times in India. He is also credited as the author of most of Mandala 3 of the Rigveda, including the Gayatri Mantra. The Puranas mention that only 24 Rishis since antiquity have understood the whole meaning of, and thus wielded the whole power of, the Gayatri Mantra. Sage Vishvamitra is supposed to be the first, and Sage Yajnavalkya the last.
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The story of Vishvamitra is narrated in the Balakanda of Valmiki Ramayana[1]. The Mahabharata adds that Vishvamitra's relationship with Menaka resulted in a daughter, Shakuntala whose story is narrated in the Adi Parva of the Mahabharata.
Vishvamitra was a king in ancient India, also called Kaushika ("the descendant of Kusha"). He was a valiant warrior and the great-grandson of a great king named Kusha. The Valmiki Ramayana, prose 51 of Bala Kanda, starts the legend of Vishvamitra thus, "There was a king named Kusha, a brainchild of Prajapati, and Kusha's son was the powerful and verily righteous Kushanaabha. One who is highly renowned by the name Gaadhi was the son of Kushanaabha, and Gaadhi's son is this great-saint of great resplendence, Vishvamitra. Vishvamitra ruled the earth, and this great-resplendent king ruled the kingdom for many thousands of years."
His story also appears in various Puranas, however they show variations from the Ramayana. The Vishnu Purana and Harivamsha chapter 27 (dynasty of Amaavasu) of Mahabharatha narrates the birth of Vishwamitra. According to Vishnu Purana[2], kushika married a damsel belonging to Puru-kutsa (later called as Shatamarshana lineage - descendents of Ikshvaku king Trasadasyu) dynasty and had a son by name Gadhi who had a daughter named Satyavati(not to be confused with Satyavati of Mahabharata). Satyavati was married to an old Brahman known as Richika who was foremost among the race of Bhrigu. Richika desired a son having the qualities of a Brahman, and so he gave Satyavati a sacrificial offering (charu) which he had prepared to achieve this objective. He also gave Satyavati's mother another charu to make her conceive a son with the character of a Kshatriya at her request. But Satyavati's mother privately asked Satyavati to exchange her charu with her. This resulted in Satyavati's mother giving birth to Vishvamitra, the son of a Kshatriya Gadhi with the qualities of a Brahman; and Satyavati gave birth to Jamadagni, the father of Parasurama, a Brahman with qualities of a Kshatriya.
On one of his exploits, he and his soldiers took rest in the ashram of Rishi Vasishta. There, his whole army was well fed and taken care of. This caused a doubt in the king's mind as to how it was possible for this simple ashram to take care of all the arrangements to feed an entire army. He expressed his surprise to the sage. Vasishta replied,
"O king, this feast that you have partaken with your kinsmen, has been provided by my calf Nandini (sometimes referred as Sabala), who was gifted to me by Indra. You must know that she is the daughter of Indra's cow Kamadhenu. She provides me with everything I need."
Kaushika was filled with wonder when he heard this. He began to think that possessing this cow would mean a lot to him; after all, the sage did not have to provide food and sustenance for a large army everyday. He expressed a desire to the sage for obtaining Nandini from him. Vasishta was polite, but steadfast in his refusal. He would not be tempted by the offer of untold wealth that was made by Kaushika, for after all who can set a price on a cow, which can readily yield all the riches in the world.
The king grew exceedingly angry. He insulted the Brahmarishi with harsh words, and ordered his soldiers to seize the cow, and drive it to his kingdom. By his yogic powers, the great sage Vasishta, called forth an entire army of fierce warriors. They fought the army of Kaushika and defeated it thoroughly. Kaushika was captured and presented before Vasishta. The sage pardoned the king and sent him away with words of advice.
In other version, Vasishta destroys Kaushika's entire army by the simple use of his great mystic and spiritual powers, breathing the Aum syllable. Vasishta also thus kills one hundred of Kaushika's sons, while restoring his hermitage's beauty and life.
Kaushika then undertakes a tapasya for several years to please Lord Shiva, who bestows upon him the knowledge of celestial weaponry. He proudly goes to Vasishta's ashram again, and uses all kinds of powerful weapons to destroy Vasishta and his hermitage. He succeeds in the latter but not in the former.
An enraged Vasishta brings out his brahmadanda, a wooden stick imbibed with the power of Lord Creator Brahma. It consumes Kaushika's most powerful weapons, including the brahmastra. Vasishta then attempts to attack Kaushika, but his anger is allayed by the Devas. Kaushika is left humiliated while Vasishta restores his hermitage.
Kaushika seeks to attain the same spiritual power as Vasishta, to become his equal, a brahmarishi. He undertakes a fierce penance for one thousand years, after which Brahma names him a Rajarishi, or royal sage.
After another long penance of ten thousand years, Brahma names him a rishi, thus leaving his royal lineage permanently.
At this point, Indra, the king of Swarga attempts to test the tapasvin by sending Menaka, an apsara to seduce him. Kaushika falls in love with the beautiful apsara, and makes love with her for many years, losing his self-control and pious credits. After many years he awakes out of his reverie, and angrily confronts Menaka, who tells him everything. Kaushika knows that Menaka genuinely loves him, so with great sorrow he curses her just to be parted from him forever.
Kaushika now goes to the banks of the river Kaushiki, which is the spirit of his own sister. After many thousands of years of penance, Brahma names him maharishi, but also tells him that he hasn't become a jitendriya yet, lacking control over his passions. This is brought to light to Kaushika when he angrily curses Rambha, an apsara sent by Indra to seduce Kaushika again, to become a stone for a thousand years.
After cursing Rambha, Kaushika goes to the highest mountain of the Himalayas to perform an even more severe tapasya for over a thousand years. He ceases to eat, and reduces his breathing to a bare minimum.
He is tested again by Indra, who comes as a poor Brahmin begging for food just as Kaushika is ready to break a fast of many years by eating some rice. Kaushika instantly gives his food away to Indra and resumes his meditation. Kaushika also finally masters his passions, refusing to be provoked by any of Indra's testing and seductive interferences.
At the penultimate culmination of a multi-thousand year journey, Kaushika's yogic power is at a peak. At this point, Lord Brahma, at the head of the Devas led by Indra, names Kaushika a brahmarishi, and names him Vishvamitra, or Friend of All for his unlimited compassion. He is also embraced by Vasishta, and their enmity is instantly ended.
As a former king, and one over as vast a realm as he had been, Vishvamitra was known to retain a regal and often haughty bearing. He was known for his high temper and often cursed people in his anger, thereby depleting his yogic powers obtained by much penance. People feared his temper and prayed that their actions might not get misconstrued by the touchy sage.
However, as a former king, Vishvamitra also possessed great compassion for all beings. Having taken pity on Trishanku, he willingly exhausted all the punya he gained from his tapas, to enable him to ascend to the heavens. Following his attainment of the status of brahmarishi, he was known to use the power of his tapas to help anyone who was in need, whatever the cost to himself.
Kaushika's love of Menaka is considered to have been intense and passionate beyond estimation.
Vishvamitra is famous in many legendary stories and in different works of Hindu mythology.
Another story Vishvamitra is known for is his creation of his own version of Svarga or heaven, called Trisanku Svarga. When a proud King Trisanku asked his guru, Vasishta, to send him to heaven in his own body, the guru responded that the body cannot ascend to heaven.
King Trisanku then asked Vasishta's hundred sons to send him to heaven. The sons, outraged that Trisanku should not come to them when their father had refused, cursed him to be a Chandala, or untouchable. Trisanku was transformed into a person with body smeared of ash, clothed in black and wearing Iron jewellery. Since none of his subjects could recognize him, he was driven out of the kingdom.
He came across the sage Visvamitra, who agreed to help him. Visvamitra organized a great sacrifice and ritual proptiating the Devas, pleading that they accept Trisanku in heaven. Not one Deva responded. Angered, Visvamitra used his yogic powers and ordered Trisanku to rise to heaven. Miraculously, Trisanku rose into the sky until he reached heaven, where he was pushed back down by Indra.
Enraged even more by this, the powerful Visvamitra then commenced the creation of another heaven for Trisanku. He had only completed the heaven when Brihaspati ordered him to stop. Trisanku, however, did not enjoy Trisanku Svarga, he remained fixed in the sky and was transformed into a constellation.
In the process of forming a new universe, Vishvamitra used up all the tapas he had gained from his austerities. Therefore after the Trisanku episode, Vishvamitra had to start his prayers again to attain the status of a Brahma Rishi, to equal Vashistha.
While undertaking a penance, Kaushika helps a boy named Shunashepa who has been sold by his parents to be sacrificed at Harishchandra's yagna to please Varuna, the God of the Oceans. The king's son Rohit does not want to be the one sacrificed, as was originally promised to Varuna, so young Sunashep is being taken. A devastated and terrified Sunashepa falls at the feet of Kaushika, who is deep in meditation, and begs for his help.
Kaushika teaches secret mantras to Sunashepa. The boy sings these mantras at the ceremony, and is blessed by Indra and Varuna, and Harishchandra's ceremony is also completed.
Vishwamitra gives them the knowledge of the Devastras or celestial weaponry [ bala and adi bala ], trains them in advanced religion and guides them to kill powerful demons like Tataka, Maricha and Subahu. He also leads them to the svayamvara ceremony for princess Sita, who becomes the wife of Rama.
There are two gotras, or lineages, bearing the name of Visvamitra.
People belonging to the Visvamitra Gotra consider Brahmarishi Visvamitra as their ancestor.
There is an off-shoot of "Vishvamitra Gotra" called "Chakita Vishvamitra Gotra". Two explanations have been suggested for this off-shoot. The group is supposed to have sprung from a "surprised" reaction of Vishvamitra. The other, more likely, explanation, is that a group of descendants decided to split from the main group and started their own branch of this line.
People belonging to Kaushika (Kaushik/Kousika/Kousikasa/Koushika/Kausika) Gotra take Rajarishi Kausika as their root. Kausika was one of the names of Visvamitra.11 Royal clans of 96 clan of Marathas belong to Kaushik gotra including the illustrious house of Shivaji and Rashtrakutas. 2 more clans belong to the Vishvamitra gotra. Kaushika gotra also belongs to Baish clan of rajput which includes in the suryavanshi rajput.
Vishvakarma(Sanskrit: विश्वकर्मा "all-accomplishing; all-creator") is the Hindu presiding deity of all craftsmen and architects.[1] He is the "Principal Universal Architect", the architect who fabricated and designed the divine architecture of the Universe , the Lord of Creation.
As per the Rig Veda he is the one and, only one beyond the Seven Ṛṣis.[2] In Hindu mythology, Viswakarma is considered as the Divine Architect. He is called 'Devashilpi' or 'The Architect of Gods' . His mother was Yogasiddha, sister of Brihaspati. His father was Prabhas, the eighth hermit of the legendary Astam Basu. The Rig Veda describes Viswakarma as the god with multi-dimensional vision and supreme strength. He is able to predict well in advance in which direction his creation will move. In later mythology sometimes identified with Tvastr[3], he is the creator of the whole Universe (RV 10.81.3), and the architect of all the gods' palaces. Vishwakarma is also the designer of all the flying chariots of the gods, and all their weapons and divine attributes. He is said to have revealed the Sthapatyaveda or fourth Upa-veda, and presides over the sixty-four mechanical arts.
According to mythology it is Viswakarma who created the entire universe as well as the heaven and the earth. Viswakarma is also credited for creating the missiles used in the mythological era, including the Vajra the sacred weapon of Lord Indra, from the bones of sage Dadhichi. He is regarded as the supreme worker, the very essence of excellence and quality in craftsmanship. Viswakarma is the divine architect of the whole universe. He has four hands, carrying a water-pot, a book, a noose and craftsman's tools.
In India, there is a class known as the Vishwakarmas who are also known as Vishwabrahmins and they are a combination of five categories of craftsmen (panchamukhi) namely (1) Kammari (Blacksmiths). (2) Vadrangi/Vadla (Carpenters). (3) Swarnakara (Goldsmiths). (4) Shilpi (sculpturist who makes all kinds idols of god) (5) Kanchara (Bronzsmith who makes all bronz related items including idol of god).
In the Vedic mythology, he is described as Virad purusha in purusha sukta from whose navel [the later puranic concept of padmanabha] the divine smith Twosta originated.[dwiteeya anuvaka of yajurveda purusha sootktha[4]. Vedic concept of creator is Viswakarma. In that time the concept of Brama may be hidden in Brahmanaspathi. TS 4.3.2), as per Vasishtha Purana 3.6.11 Vishwakarma created 5 Brahmas from each of his 5 face, they are 1. Sanaga Brahma Rishi, 2. Sanaathana Brahma Rishi, 3. Abhuvanasa Brahma Rishi, 4. Prathnasa Brahma Rishi, 5. Suparnasa Brahma Rishi,However, the office of "Indian Vulcan" is assigned to Tvastr as a distinct deity, Vishva-karman being rather identified with Prajapati himself as the creator of all things and architect of the Universe; in the hymns RV 10.81 and 10.82 he is represented as the universal Father and Generator, the one all-seeing God, who has on every side eyes, faces, arms, and feet; in the Brahmanas he is called a son of Bhuvana, and Vishva-karman Bhauvana is described as the author of the two hymns mentioned above.
In the Mahabharata and Harivamsa, he is a son of the Vasu Prabhasa and Yoga-siddha. The Mahabharata describes him as "The Lord of the Arts, Executor of a thousand Handicrafts, the Carpenter of the Gods, the most eminent of Artisans, the Fashioner of all ornaments ... and a great and immortal God..." He has four hands, wears a crown, loads of gold jewellery, and holds a water-pot, a book, a noose, and craftsman's tools in his hands.
In the Puranas a son of Vastu, and the father of Barhishmatî and Samjna. The Ramayana represents him as having built the island of Lanka for the Rakshasas, and as having generated the ape Nala, who made Rama's bridge from the continent to the island; the name Vishva-karman, meaning, doing all acts", appears to be sometimes applicable as an epithet to any great divinity.
In Hyderabad, Vishwakarma Puja (the Festival Day of Vishwakarma) is celebrated on 17th September at Exhibition Grounds Hyderabad and in some other places it will be celebrated a day after Diwali. The festival is observed primarily in factories and industrial areas, often on the shop floor.
Vishwakarma is known as the divine engineer of world. As a mark of reverence he is not only worshipped by the engineering and architectural community but also by all professionals. It is customary for craftsmen to worship their tools in His name.
Vishwakarma Puja is celebrated by all industrial houses, artists, craftsman and weavers. The festival is observed on the Kanya Sankranti Day (September) which follows the Ganesh Puja.
According to mythology it is Vishwakarma who designed the triloka; the tripartite universe consisting of the mortal world, the heavens, and the netherworld. Vishwakarma is also credited for creating the missiles used in the mythological era, including the Vajra the sacred weapon of Lord Indra (a parallel of Zeus' thunderbolts) from the ribs of sage Dadhichi. He is also credited with the creation of the twin bows Saringa and Pinaka used by Vishnu and Siva respectivly against each other to decide who was the greater warrior.
He is regarded as the supreme power according to Rig veda, the very essence of excellence and quality in creation.
In the state of Bengal it is celebrated much before Dushhera which falls rougly in or around in the month of September.
Hindu mythology describes many of Vishwakarma's architectural accomplishments.
Through the four yugas (aeons of Hindu mythology), he had built several towns and palaces for the gods. In chronological order, these were Swarglok (Heaven) in Satya Yuga, Lanka in Treta Yuga, Dwarka (Krishna's capital) in the Dwapar Yuga and Hastinapur and Indraprastha in the Kali Yuga. The Jagannath Temple is a sacred Hindu temple in Puri, famous for its enormous statues of Krishna and his siblings Subhadra and Balarama, of which Vishwakarma is considered the sculptor.
Sone Ki(of Gold) Lanka According to Hindu mythology, 'Sone ki Lanka' or Golden Lanka was the place where the demon king Ravana dwelled in the "Treta yuga." As we read in the epic story Ramayana, this was also the place where Ravana kept Sita, Lord Ram's wife as a hostage. There is also a story behind the construction of Golden Lanka. When Lord Shiva married Parvati, he asked Viswakarma to build a beautiful palace for them to reside. Viswakarma put up a palace made of gold! For the housewarming ceremony, Shiva invited the wise Ravana to perform the "Grihapravesh" ritual. After the sacred ceremony when Shiva asked Ravana to ask anything in return as "Dakshina", Ravana, overwhelmed with the beauty and grandeur of the palace, asked Shiva for the golden palace itself! Shiva was obliged to accede to Ravana's wish, and the Golden Lanka became Ravana's palace. Again, the traditional sources point to Mahamaya as the architect and his daughter Mandodri married Ravana.
Dwarka Among the many mythical towns Viswakarma built is Dwarka, the capital of Lord Krishna. During the time of the Mahabharata, Lord Krishna is said to have lived in Dwarka, and made it his "Karma Bhoomi" or center of operation. That is why this place in northern India has become a well known pilgrimage for the Hindus.
Hastinapur In the present "Kali Yuga", Viswakarma is said to have built the town of Hastinapur, the capital of Kauravas and Pandavas, the warring families of the Mahabharata. After winning the battle of Kurukshetra, Lord Krishna installed Dharmaraj Yudhisthir as the ruler of Hastinapur. This is a local legend not borne out by Mahabharata.
Indraprastha Viswakarma also built the town of Indraprastha for the Pandavas. In Mahabharata, the creator is Maya, the other divine architect. The Mahabharata has it that King Dhritrashtra offered a piece of land called 'Khaandavprastha' to the Pandavas for living. Yudhishtir obeyed his uncle's order and went to live in Khaandavprastha with the Pandava brothers. Later, Lord Krishna invited Viswakarma to build a capital for the Pandavas on this land, which he renamed 'Indraprastha'. Legends tell us about the architectural marvel and beauty of Indraprastha. Floors of the palace were so well done that they had a reflection like that of water, and the pools and ponds inside the palace gave the illusion of a flat surface with no water in them. After the palace was built, the Pandavas invited the Kauravas, and Duryodhan and his brothers went to visit Indraprastha. Not knowing the wonders of the palace, Duryodhan was flummoxed by the floors and the pools, and fell into one of the ponds. The maids of the Pandava wife Draupadi, who witnessed this scene, had a good laugh! This insult from the maids of Draupadi annoyed Duryodhan so much that later on it became a major cause for the great war of Kurukshetra described in the Mahabharata and the Bhagavad Gita.
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